SALE NUMBER 1833 
ON PUBLIC EXHIBITION FROM SUNDAY, MARCH THIRTIETH 


IMPORTANT ETCHINGS 
ORIGINAL DRAWINGS 
€é? COLOR PRINTS 
FROM 
ee CORE ONS 

AND AN ESTATE __ 


TO BE SOLD BY AUCTION 
THURSDAY, FRIDAY EVENINGS 
APRIL THIRD, FOURTH 
AT EIGHT-FIFTEEN O CLOCK 


THE ANDERSON GALLERIES. 
[MITCHELL KENNERLEY, Present} 
PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 


1924 


oe! ro ka 
ei 


Pps 


“so eee 


uF. 
“5 


SALE NUMBER 1833 
ON PUBLIC EXHIBITION FROM SUNDAY, MARCH THIRTIETH 


IMPORTANT ETCHINGS 
ORIGINAL DRAWINGS 
é? COLOR PRINTS 


FROM 
PHkee PRIVATE COLLECTIONS 


AND AN ESTATE 


DRAWINGS BY 
WHISTLER, RODIN, GAUGUIN, VAN GOGH 
AND CONSTANTIN GUYS 


ETCHINGS AND LITHOGRAPHS BY 
MARY CASSATT, STEINLER, PENNELL, ZORN, 
MATISSE, FORAIN, & OTHER MODERNISTS 


TO BE SOLD BY AUCTION LAY oSt 
THURSDAY, FRIDAY EVENINGS 
APRIL THIRD, FOURTH 
AT EIGHT-FIFTEEN O'CLOCK 


THE ANDERSON GALLERIES 
[MITCHELL KENNERLEY, Presient} 


PARK AVENUE AND FIFTY“NINTH STREET, NEW YORK 


1924 


CONDITIONS OF SALE 


ALL BIDS TO BE PER LOT AS NUMBERED IN THE CATALOGUE. 


The highest bidder to be the buyer. In all cases of disputed bids the decision 
of the Auctioneer shall be final. 


Buyers to give their names and addresses and to make such cash payments on 
account as may be required, in default of which the lots purchased shall be 
resold immediately. 

Purchases to be removed at the buyer’s expense and risk within twenty-four 
hours from the conclusion of the sale, and the remainder of the purchase money 
to be paid on or before delivery, in default of which The Anderson Galleries, 
Incorporated, will not be responsible for any loss or damage whatever, but the 
lot or lots will be left at the sole risk of the purchaser, and subject to storage 
charges. 


All lots will be placed on public exhibition before the date of sale, for examina- 
tion by intending purchasers, and The Anderson Galleries, Incorporated, will 
not be responsible for the correctness of the description, authenticity, genuine- 
ness, or for any defect or fault in or concerning any lot, and make no warranty 
whatever, but will sell each lot exactly as it is, WITHOUT RECOURSE. 

If accounts are not paid and purchases removed within twenty-four hours of the — 
conclusion of the sale, or, in the case of absent buyers, when bills are rendered, 
any sum deposited as part payment shall be forfeited, and The Anderson Gal- 
leries, Incorporated, reserve the right to resell the lot or lots by either private 
or public sale, without further notice, and if any deficiency arises from such 
resale it shall be made good by the defaulter, together with all expenses in- 
curred. This condition shall be without prejudice to the right of this Com- 
pany to enforce the sale contract and collect the amount due without such 
resale, at its own option. 

The Anderson Galleries, Incorporated, will afford every facility for the employ- 
ment of carriers and packers by the purchasers, but will not be responsible 
for any damage arising from the acts of such carriers and packers. 


The Anderson Galleries make no charge for executing orders for their cus- 
tomers and use all bids competitively, buying at the lowest price permitted 


by other bids. 
A Priced Copy of this Catalogue may be obtained for One Dollar 


THE ANDERSON GALLERIES, INC. 
PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 


TELEPHONE PLAZA 9356 CATALOGUES ON REQUEST | 


SALES CONDUCTED BY MR. F. A. CHAPMAN AND MR. A. N. BADE 


SALE THURSDAY EVENING, APRIL THIRD; AT 8:15 
FIRST SESSION 
NuMBERS 1-154 
HERBERT N. BAER 


1 INDIAN MAGPIE 


Original woodcut printed in color. Signed and numbered proof. 


CHARLES W. BARTLETT 


CONTEMPORARY AMERICAN WOOD ENGRAVER 


2 TAJ-MAHAL, SUNSET; A VILLAGE TEMPLE, KASHMIR 
Woodblocks printed in colors in the Japanese manner. Proofs 
signed by the artist. (2) 


8 ENTRANCE TO GOLDEN TEMPLE, AMRITSAR; 
PRAYERS AT SUNSET 
Woodblocks printed in colors in the Japanese manner. Proofs 
signed by the artist. (2) 


4 KAMAKURA; KYOTO 
Woodblocks printed in colors in the Japanese manner. Proofs 
signed by the artist. (2) 


5 IWABUCHI; SHOJI 
Woodblocks printed in colors in the Japanese manner. Proofs 
signed by the artist. (2) 


6 UDAIPUR; AGRA 
Woodblocks printed in colors in the Japanese manner. Proofs 
signed by the artist. (2) 


4 BENARES; HAWAIIAN FISHERMAN 
Woodblocks printed in colors in the Japanese manner. Proofs 
signed by the artist on Japan paper. (2) 


8 AMRITSAR; MADURA; KHYBER 
Woodblocks printed in colors in the Japanese manner. Proofs 


signed by the artist. (3) 


10 


104 


108 


11 


12 


PF. BARTOLOZZI 


VENUS SLEEPING 
Stipple after Anibal Caracci. 


GUSTAVE BAUMANN 


SALT CREEK; THE RIDGE ROAD; IDLE FLEET 
Linoleum cuts printed in colors. Signed proofs. 
Editions limited to 100 impressions of each. (3) 


EUGENE BEJOT 


LE PONT DES TOURNELLES; CANNES; LA STATION 
Original painter etchings. Fine impressions printed on hand- 
made paper. (3) 


One of 10 impressions. 
WILLIAM BLAKE > 
ENGLISH, 17757-1827 
THE MARRIAGE OF HEAVEN AND HELL 
Original pen and water color drawing for one of the plates in 


“The Marriage of Heaven and Hell”. A charming and charac- 
teristic example. 


J. E. BLANCHE 


PORTRAITS DE FILLETTES 
Original painter lithographs. Brilliant impressions on papier 
de Chine. (2) - 


One of 10 impressions. 


LOUIS MARIN BONNET 
1745-17938 


FEMME NUE ASSISE 

Engraving in crayon manner after Fr. Boucher, L. Bonnet, 
No. 54. Brilliant impression. Printed in sanguine. With large 
margin trimmed to the plate-mark. 


2 


13 


14 


15 


16 


1% 


18 


oe 


FRANK BRANGWYN 


BARNARD CASTLE 
Original etching and aquatint printed in colors. Signed proof. 


FELIX BRAQUEMON ds 


LE LIEVRE 
Original painter etching. Very fine impression before the title. 
With large margin. In gold frame. 


(a) VUE DU PONT DES SAINTS PERES 


_(b) L7;HOMME A LA HOUE after Millet 


(c) SUR LA TERRASSE 


Painter etchings, fine impressions. Printed on hand-made paper. 


(3) 


ADAM BUCK 


VENUS 


Aquatint in colors. Proof before all letters. 


FELIX BUHOT 


LES DEUX HIBOUX 
Original painter lithograph. Fine impression on Japan paper. 
One of 10 impressions. 


CREPUSCULE ; 

Original painter lithograph. Fine impression with symphonique 
margin. 

One of 10 impressions. 


HENRICUS BUQUET 


NAPOLEON GALLORUM PRIMUS IMPERATOR 
Stipple, printed in colors. Gilt frame. 


3 


20 


22 


23 


25 


26 


ELISABETH CALWELL 


LA FEMME NUE AUX ROSEAUX 


Original painter xylography. Printed in colors. Signed in pencil 


by the artist. 


LES DEUX FEMMES NUES AUX ROSES 


Original painter xylography. Printed in colors. Signed in pencil 


by the artist. 


D. Y. CAMERON 


SS 


A NORMAN VILLAGE 


Original etching. Rinder, No. 659. Second state. Guilt frame. 


PERTH BRIDGE; ARRAN 
Original etchings. Rinder, Nos. 28 and 43. 
The re-issues of 1906. (2) 


EUGENE CARRIERE 


ELISE RIANT 


Original painter lithograph. L. Delteil, No. 19. 


printed in bistre on papier de Chine. 
One of 10 impressions. 


HARRY J. CASEY 


— 


LANDSCAPE 
Original woodcut printed in color. Signed. 


MARY CASSATT 


CONTEMPORARY AMERICAN 


LA COUTURIERE 


Rare impression 


Original etching finished in aquatint. Superb impression. Printed 


in colors. Signed in pencil by the artist. 


One of 25 impressions printed by the artist and Mr. Leroy. 


4 


CASSATT 


ED BY 


LEROY 


BY MARY 
S PRINT 


bed 


LA TASSE DE THE 


ONE OF TWENTY 


ee 


F 


SEL 


ARTIST HER 


HE 


T 


SION 


= 
NS) 


FIVE IMPRE 


MR 


AND 


[NuMBER 30 | 


27 


28 


29 


30 


31 


32 


33 


TENDRESSE MATERNELLE 

Original painter etching finished in aquatint. Brilliant impres- 
sion. Printed in colors. Signed by the artist. 

One of 25 impressions. 


JEUNE FILLE SE COIFFANT 

Original painter etching finished in aquatint. Very fine impres- 
sion. Printed in colors. Signed by the artist. 

One of 25 impressions printed by the artist herself and Mr. Leroy. 


LA TOILETTE 

Original painter etching finished in aquatint. Very fine im- 
pression. Printed in colors. Signed by the artist. 

One of 25 impresstons printed by the artist herself and Mr. Leroy. 


LA TASSE DE THE 

Original painter etching finished in aquatint. Very fine im- 
pression. Printed in colors. Signed by the artist. 

One of 25 impressions printed by the artist herself and Mr. Leroy. 


[SEE ILLUSTRATION, PAGE 5 | 


DANS L?OMNIBUS 

Original painter etching finished in aquatint. Very fine im- 
pression. Printed in color. Signed by the artist. 

One of 25 impressions. Printed by the artist herself and Mr. 
Leroy. 


LA FEMME A L’EVENTAIL, SOUS LA LAMPE 

Original painter etching. Very fine impression. Printed in colors. 
Signed by the artist. 

One of 25 impressions. Printed by the artist herself and Mr. 
Leroy. 


LA CUEILLETTE DU RAISIN 

Original painter etching. Superb impression. Printed in colors. 
Signed by the artist. Framed. 

One of 25 impressions. 


[SEE ILLUSTRATION | 


6 


35 


SIN 


E DU RAI 


‘LA CUEILLETT 


6 


TARY CASSATT 


BY 


[NUMBER 33] 


f [age uaawan] 


UAAGNOO SHIUVHO AT ONIMVAG UOIOOD AUALVAM TIVNIDIUO 
; QOIMLVaAINI,T,, :dVAT NVva 


«93 


338A 


33B 


33c 


J. C. CAZIN 


LANDSCAPE 
Black crayon drawing with touches of pastel. 
On gray paper. Signed. Gilt frame. 
Size, 914 x 151% inches 


CHARLES CONDER 
ENGLISH, 1868-1909 


Charles Conder is the modern master of the fan. His intuitive un- 
derstanding of Eighteenth Century France, his Goyaesque humor 
and lightness of fantasy, seem to have suggested the volatile 
fan as a medium of expression. The sources of Conder’s inspira- 
tion have been found in the arts of the great draftsmen of two 
centuries. Names of masters strangely heterogeneous in their 
tendencies, such as Watteau, Debucourt, Degas, Monet, 
Toulouse-Lautrec, Monticello, Whistler and Beardsley, have of- 
ten been quoted as having exerted great influence on Conder’s 
art. His early life in India and Australia, his affectionate love 
of Paris and his English soul, sensuous, but not sensual, explain 
the delicately exalted charm of his drawing. 


FAN LEAF: “L?7IMPERATRICE” 
Original water color drawing. Design for a fan. Oval vignette 
with portrait of the Empress in a landscape with languorous 
attendants. Signed and dated 1900. Framed. 
This fan was No. 8 in the Conder Exhibition held by Martin 
Birnbaum at the Berlin Photographic Companies’ Galleries in 
New York in 1901 and at Moret’s Galleries in Paris, 1901. 

[SEE ILLUSTRATION | 


FAN LEAF: GREEK LANDSCAPE 

Original water color drawing. Design for a fan. A lady receiv- 
ing an offering from a modern Naiad. To the right and left are 
Japonesque floral reserves and a backgr ‘ound of classic temples. 
Signed. Framed. 

This fan was No. 3 in the Exhibition held by Martin Birnbaum 
in New York in December 1911. 


[SEE ILLUSTRATION, PAGE 10] 


5, 


ai [ogg umawan | 


* MAANOO SATUVHO AT ONIMVUC UOTIOO WALVA TIVNIDIUO 
AdVOSGNVI MAAUD :AVAT NVA 


34 


35 


36 


37 


38 


39 


JEAN BAPTISTE CAMILLE COROT 


SOUVENIR D’ITALIE 
Original etching. Proof impression on Japan paper. Gilt frame. 


Purchased from Frederick Keppel & Co. 


PAYSAGE D’ITALIE 
Original etching. Proof on Japan paper. 


E. CREBASSA 


SOUS LA NEIGE, AND SIX OTHERS 
Original painter lithographs. Brilliant impressions on India and 


Japan paper. (7) 


P. DE CHAVANNE 


ETUDES DE FEMME, AND THREE OTHERS 
Painter’s lithograph printed in sanguine and three others by 
Osbert, Danguin and Martin. Printed on India and Japan 


paper. (4) 


MATHILDE DE CORDOBA 


WAITING 
Original etching printed in color. Signed proof on a cream- 
colored paper. 


GILLES DE MARTEAU L’AINE 
1722-1776 


VENUS ET L’AMOUR ENDORMIE 

Engraving in crayon manner. L. de Leymarie, No. 522. Very 
fine impression. Printed in sanguine. Large margin, showing 
the plate-mark. 


11 


40 


4] 


42 


43 


44 


45 


46 


A7 


1! ie ie 


FEMME NUE COUCHEE 


Engraving in crayon manner. L. de Leymarie, No. 83. Brilliant 
impression. Printed in sanguine. Large margin, showing the 
plate-mark. 


HENRI DETOUCHE 


COQ ET POULE AND THREE OTHERS 
Woodcut and lithographs. Fine impressions on hand-made 


paper. (4) 
CARLE-DUPONT 


CONTEMPORARY FRENCH 


VOILE BLEU 


Original etching printed in colors. Signed proof. 
No. 12 of 100 impressions. 


LES POINTES 


Original etching printed in colors. Signed and numbered proof. 
Edition limited. 


BACCHANALE 


Original etching printed in colors. Signed proof. 
No. 4 of 100 impressions. 


ALBERT DURER 
GERMAN, 1471-1528 
LA VIERGE, L’ENFANT JESUS ET SAINT JOSEPH 


Original woodcut. A. Bartsch, No. 102. Fine impression. 
(From the A. J. Lamme Collection) 


MELANCHOLIA 
Etched copy after the original. On old paper. 


RICHARD EARLOM 


SENSIBILITY 
After George Romney. Stipple, printed in colors. Gilt frame. 
Published by John and Josiah Boydell, London, 1789. 


12 


48 


49 


50 


51 


52 


53 


54 


55 


56 


oT 


S. ARLENT-EDWARDS 


CONTEMPORARY ENGLISH MEZZOTINT ENGRAVER 


MONNA LISA 


Mezzotint printed in colors after Leonard da Vinci. Signed 


proof. Gilt frame. 


MRS. DRUMMOND SMITH 
Mezzotint printed in colors after George Romney. Signed proof. 
Gilt frame. 


SHEPHERD AND SHEPHERDESS 
Pastoral scene after Francois Boucher. Mezzotint printed in 


colors. Signed proof. Gilt frame. 


LADY ANNE BINGHAM 
Mezzotint printed in colors after Sir Joshua Reynolds. Signed 


proof. Gilt frame. 


LAVINIA, COUNTESS SPENCER 
Mezzotint printed in colors after Sir Joshua Reynolds. Signed 


proof. Gilt frame. 


MRS. BENWELL 
Mezzotint printed in colors after John Hoppner. Signed proof. 


Gilt frame. 


NAPOLEON BONAPARTE 
Bust size, three-quarter to the front. Mezzotint colored by hand. 


Signed proof on China paper. Gilt frame. 


ELIZABETH, COUNTESS OF MEXBOROUGH 
Mezzotint printed in colors after John Hoppner. Signed proof. 
Gilt frame. 


MASTER LAMBTON 


Mezzotint printed in colors, after Sir Thomas Lawrence. Signed 


proof. Gilt frame. 


FRANCOIS II (DAUPHIN OF FRANCE) 


Mezzotint printed in colors after Frangois Clouet. Signed proof. 
Gilt frame. 


13 


58 


59 


60 


61 


62 


63 


64 


ETCHINGS 
LANDSCAPES, PORTRAITS, ETC. 


Adamus Van Noort and Joannes Breugel, by Van Dyck; Land- 
scape by Waterloo; Marine by Zeeman; and two others. (6) 


T. EVERBAY 


ROSES 
Original aquatint printed in colors. Signed proof. 


H. FANTIN-LATOUR 


FRENCH LITHOGRAPHER, 1849-1904 


PASTORALE 

Original painter lithograph. G. Hediard, No. 127. Very fine 
impression on mounted India paper, with dedication to Monsieur 
Clot, signed in pencil by the artist. Gold frame. 


FINALE DU RHEINGOLD 
Original painter lithograph. G. Hediard, No. 18. ‘Third state. 
Brilliant impression, printed on mounted India paper. 


One of 100 copies printed. 


LES BRODEUSES 
Original painter lithograph. G. Hediard, No. 148. Brilliant 
proof on papier de Chine. 


One of 10 impressions. 


LE POETE ET LA MUSE 
Original painter lithograph. Very rare proof on papier de 
Chine. 


One of 10 impressions. 


FERNAND-A-CREPAUX 


LADY AND PARROT; THE SECRET MESSAGE 
Stencil prints in brilliant color. Signed and numbered. (2) 


14 


TAHITIAN WOMEN 
BY PAUL GAUGUIN ? 


[NUMBER 68] 


65 


66 


67 


68 


69 


FERRAGIO 


ITALIAN PEASANTS | 
A pair of pastel portraits. Signed. Framed. (2) 
Size, 25 x 16 inches 


JEAN LOUIS FORAIN 


CONTEMPORARY FRENCH 


FEMME A SA TOILETTE AVEC SA FEMME DE 
CHAMBRE 
Original painter lithograph. Guerin, No. 29. Brilliant impres- 


sion. Painted in bistre on Japan paper. 


AVOCAT PARLANT AU PREVENU 

Original painter etching. Guerin, No. 55. Second state. Fine 
impression, signed by the artist. 

One of 25 impressions. 


PAUL GAUGUIN 


CONTEMPORARY FRENCH 


TAHITIAN WOMEN 
Red crayon drawing. Signed. Fine characteristic example. ‘T'wo 
nude native women in the foreground, while in the typical South 
Sea background another group is seen. Framed. 
Size, 1444 x 1114 mcehes 
Purchased from Scott & Fowles. 
[sEE ILLUSTRATION, PAGE 15] 


GAYAC 


DANSEUSE EN ROSE; DANSEUSE EN JAUNE; 
DANSEUSE EN VERT 


Original etchings printed in colors. Signed and numbered proofs, 
limited to 125 impressions of each. (38) 


16 


A LADY OF THE SECOND EMPIRE 
BY CONSTANTIN E. H. GUYS 


[NuMBER 71 | 


70 


é1> 


72 


13 


74 


re) 


FRANCISCO GOYA 
SPANISH, 1746-1828 


LA MALHEUREUSE MORT DE PEPE ILLO 
Original painter etching. L. Delteil, No. 262. Second state. 
Very fine impression, with margin trimmed nearly to the engraved 


border. Oak frame. 


CONSTANTIN E. H. GUYS 


A LADY OF THE SECOND EMPIRE 


Original water color drawing. Framed. 
Size, 914 x 634 inches 
Purchased from Scott & Fowles. 
[SEE ILLUSTRATION, PAGE 17] 


SEYMOUR HADEN 


(a) TWICKENHAM 


_ Original etching. H. 107. Published state from “The Portfolio”. 


(b) BRIG AT ANCHOR 3 
Original etching. H. 147. Published state from ‘The Portfolio”. 


(c) COWDRAY WITH GEESE 
Electrotype from “The Art Journal”. (3) 


BRIG AT ANCHOR 
Original etching. Harrington, No. 147. Published state. Fair 
impression. 


COWDRAY CASTLE—WITH GEESE 
Original etching. Harrington, No. 221. First state. Signed 
proof. 


SUNSET ON THE THAMES 
Original etching. Harrington, No. 93. Published state. Proof 
on Japan paper. 


eae 


76 


V7 


78 


PS, 


80 


81 


82 


83 


84 


AXEL H. HAIG 


SWEDISH, 1835-1921 


HADDON HALL 
Original etching. Signed artist’s proof on Japan paper. Framed. 


THE BASILICA OF ST. GILES, ARLES 
Original etching. Signed artist’s proof. 
On tinted paper. Framed. 


BURGOS CATHEDRAL, EXTERIOR 
Original etching. Signed artist’s proof. On tinted paper. 
Framed. 


BURGOS CATHEDRAL, INTERIOR 
Original etching. Signed artist’s proof. On tinted paper. 
Framed. 


THE PORTALS OF RHEIMS CATHEDRAL 
Original etching. Signed artist’s proof on Japan paper. Framed. 


ENTRANCE TO THE MOSQUE OF MOHAMMED BEY, 
CAIRO 


Original etching. Signed artist’s proof on Japan paper. Framed. 


IN RHINELAND 
Original etching. Signed artist’s proof on Japan paper. Framed. 


JOHN McCLURE HAMILTON 


CONTEMPORARY AMERICAN 


DRAPED MODEL SEATED 
Original pastel drawing on brown paper. 
Signed and dated 1919. Gilt frame. Size, 23 x 19 inches 


W. LEE HANKEY 


FARM BY MOONLIGHT 
Aquatint in colors. Printed and signed by the artist. Gilt frame. 


19 


85 


86 


87 


88 


89 


90 


of. 


93 


ALFRED HARTLEY 


LANDSCAPE 


Original woodcut printed in color. Signed proof. 


CHILDE HASSAM 


SWIMMER, MORNING 


Original etching. Proof signed with initials. 


J. J. HENNER- 


NUDE WOMAN RECLINING 
Original charcoal drawing heightened with white. 
On brown paper. Gilt frame. Size, 5 x 10 inches 


HENRI HERAN 


SALOME 


Original lithograph printed in colors. Signed and numbered 
proof. 


EARL HORTER 


CONTEMPORARY AMERICAN 


IN FAIRMONT PARK 
Original dry-point. Signed proof on thin China paper. 


OLD BRIG, SCHUYLKILL 
Original dry-point. Signed proof on old paper. 


BALCONIES, NEW ORLEANS 
Original dry-point. Signed artist’s proof on India paper. 


OLD CURIOSITY SHOP, NANTUCKET | 
Original dry-point. Signed proof on Japan paper. 


CHARLES HOUDARD 


LANDSCAPE WITH SWANS; SUNSET 


Aquatints printed in colors. Signed and numbered proofs. 
Limited to 50 impressions of each. (2) | 


20 


94 


95 


96 


97 


98 


99 


HELEN HYDE 


THE MOON BRIDGE; CHERRY BLOSSOMS 
Woodblocks printed in color. Signed proofs on thin Japan paper. 
Editions limited. (2) 


LOUIS ICART 


LA GRENADE 
Original etching and aquatint printed in colors. 
Signed proof. One of 100 impressions. 


AVANT LE BAL; L’AUTOMNE 
Original etchings printed in colors. 
Signed and numbered proofs, limited to 100 impressions. (2) 


FLOR ENCE W. IVINS 


LE SPECTRE ROSE (Mlle. Pavlova) 

Original painter woodcut. Brilliant proof printed in colors on 
Japan paper. 

This rare print, issued only in very few impressions, is made 
from four blocks, printed in water color by the old Japanese 
process of rubbing. The entire work being done by hand, no 


press work whatever was used in producing this woodcut. 


F. ERNEST JACKSON 


LADY HAMILTON 

Lithograph in two colors, after Sir Thomas Lawrence. Signed 
proof. One of 50 copies printed on Japan paper. 

A charming example of modern lithography delicately executed 


in two colors. 


JEANNIOT 


LES VIEILLES FEMMES 
Original painter etching. Very rare proof. Printed on India 


paper. 


One of 10 impressions. 


21 


100 


101 


103 


104 


105 


106 


107 


J. E. LABOUREUR 


SUBWAY CONSTRUCTION, 42nd STREET, N. Y. 


Original etching, printed in brown. Gilt frame. 


ANDRE LAMBERT 


LES ROI MAGI; LE REVE; LA TOILETTE 
Aquatints printed in colors. Signed and numbered proofs on 


Japan paper. (38) 


MESSALINE; CLEOPATRE; THEODORA ; DIDON 
Aquatints printed in colors. Signed and numbered proofs, limited 
to 125 impressions. (4) 


‘ LOUIS LEGRAND 


CONTEMPORARY FRENCH 


AU CAFE AMERICAIN 

Original painter etching. Very fine impression. Signed in penci 
by the artist and countersigned by the publisher. 

One of 65 impressions. 


LE MOUTON DE LA PIERRE BLANCHE | 
Original painter etching. Very fine impression. Signed in pencil 
by the artist. 

One of 20 impressions. 


LES CARESSES DE LA LUNE 

Original painter etching finished in aquatint. Brilliant impres- 
sion. Signed in pencil by the artist. 

One of 20 impressions. 


LE REVENANT 


Original painter etching finished in aquatint. Very fine proof. 
Signed in pencil by the artist. 
One of 20 impressions. 


LA TOILETTE 


Original painter etching. Brilliant proof. Signed in pencil by 
the artist and countersigned by the publisher. 
One of 65 impressions. 


22 


108 


109 


110 


111 


112 


113 


114 


115 


PRINTEMPS 

Original painter soft ground etching. Very fine impression. 
Signed in pencil by the artist. 

One of 20 impressions. 


LE PRINCE K... 

Original painter etching. Very rare proof with the remarque 
and before the plate was cut down. Signed in pencil by the 
artist and countersigned by the publisher. 

One of 10 impressions. 


AU BORD DE LA MARNE 

Original painter etching. Very fine impression. Signed in pencil 
by the artist and countersigned by the publisher. 

One of 25 impressions. 


L’APRES MIDI D’UN FAUNE—LES BATEAUX 

Original painter soft ground etching. Brilliant proof. Signed in 
pencil by the artist. 

One of 20 impressions. 

Companion to No. 124. 


DIALOGUE 

Original painter soft ground etching. Very fine impression. 
Signed in pencil by the artist. 

One of 20 impressions. 


OH! LES FLEURS!... 

Original painter etching. Very rare proof. Signed in pencil by 
the artist, countersigned and stamped by the publisher. 

One of 10 impressions. 


TRAVESTI 

Original painter etching. Very rare proof. With the remarque. 
Signed in pencil by the artist. 

One of 10 impressions. 


LA FEMME A L’OMBRELLE 

Original painter etching. Very fine and rare proof. Signed in 
pencil by the artist and stamped. 

One of 15 impressions. 


23 


116 


vadeye 


118 


ES 


120: 


121 


122 


123 


L°HYMNE A LA BEAUTE 

Original painter soft ground etching. Fine impression. Signed 
in pencil by the artist. 

One of 20 impressions. 


LA BAIGNEUSE 

Original painter etching. Very fine impression. Signed in pencil 
by the artist and stamped by the publisher. 

One of 50 impressions. 


CHANSON 

Original painter soft ground etching. Brilliant impression. 
Signed in pencil by the artist. 

One of 20 impressions. 


CAUCHEMARE 

Original painter soft ground etching. Very brilliant proof. 
Signed in pencil by the artist. 

One of 20 impressions. 


LES GLANEUSES 

Original painter etching. Fine impression. Signed in pencil by 
the artist. 

One of 20 impressions. 


LES GUITARISTES 
Original painter soft ground etching. Brilliant proof. Signed 
in pencil by the artist. 
One of 20 impressions. 


DANS LES NUAGES 
Original painter soft ground etching. Fine impression. Signed 
in pencil by the artist. 
One of 20 impressions. 


A UNE PASSANTE 
Original painter soft ground etching. Early impression. Signed 
in pencil by the artist. 
One of 20 impressions. 


24 


124 


125 


126 


127 


128 


129 


130 


131 


L’APRES MIDI D?UN FAUNE—LE BAIN 

Original painter soft ground etching. Brilliant proof. Signed 
in pencil by the artist. 

One of 20 impressions. Companion to No. 111. 


SON GOSSE 

Original painter etching. Very rare proof. Signed in pencil by 
the artist and stamped by the publisher. 

One of 50 impressions. 


L’ATEULE 

Original painter soft ground etching. Printed in color. Fine 
impression after the reduction of the copper. Signed in pencil 
by the artist and countersigned by the publisher. 

One of 100 impressions. 


LA COIFFURE 

Original painter etching. Rare proof. Signed in pencil by the 
artist and stamped by the publisher. 

One of 65 impressions. 


SUR LE BOUT DU BANC . 
Original painter lithograph. E. Ramiro, No. 112. Very rare 
proof with the remarque. Printed on papier de Chine. 

One of 10 impressions. 


LA PETITE SERVATOIRE 
Original painter lithograph. EE. Ramiro, No. 111. Very rare — 
proof. Printed on Japan paper. 
One of 10 impressions. 


MATER INVIOLATA 
Original painter soft ground etching. E. Ramiro, No. 65. Fine 
impression after the reduction of the copper. Signed in pencil 
by the artist. ; 
One of 100 impressions. 


PROFILS PARISIENS 

Original painter soft ground etching. Very rare proof. Signed 
in pencil by the artist and countersigned by the publisher. 

One of 50 impressions. 


25 


1382 


1338 


134 


135 


136 


137 


138 


LE BEAU SOIR 

Original painter soft ground etching. Fine impression. Signed 
in pencil by the artist and countersigned by the publisher. 

One of 100 impressions. 


ALPHONSE LEGROS 
FRENCH, 1837-1911 


LE PAYSAGE AU BATEAU 
Original painter etching. Thibaudeau, No. 106. Very fine im-‘ 
pression, with large margin. Gold frame. 


LE BOUQUET D’ARBRES 
Original painter etching. Brilliant proof, with large margin. 


Gold frame. 


L’ORAGE 
Original painter etching. Thibadeau, No. 288. ‘Third state. 
Brilliant proof. Signed in pencil by the artist. 


THE WAYFARER 
Original etching. Published state. Fine impression. 


H. LEROLLE 


DANS UN PARC; LE MOULIN BY CH. DE GRAVESANDS; 
L’ESPAGNOLE BY J. JACQUEMART; LE BASTION 49 
BY M. LALANNE; LANDSCAPE 

Original painter etchings printed on hand-made paper. (5) 


BERTHA LUM 


THE PROCESSION; BAMBOO ROAD; PINES BY THE 
SEA; SPIRIT OF THE SEA 
Original woodcuts printed in colors. Signed and dated proofs. 


(4) 
26 


139 


140 


141 


142 


143 


144 


JAMES McBEY 
THE MARCH ON JERUSALEM 


Original etching. Signed proof. Impression on old paper. 
Marked by the artist “A 8”. 


H. MACBE'TH-RAEBURN 


THE ODDIE CHILDREN 
Mezzotint printed in colors, after Sir William Beechey. Signed 
proof. Gilt frame. 


EK. MANET 


OLYMPIA 
Original painter etching. KE. M. Nelaton, No. 17. Fourth state. 
Very fine impression, with large margin. 


(From the J. Robeau Collection) 


F. MARRIOTT 


CHATEAU GAILLARD BY MOONLIGHT; MORET 
Aquatints and etching printed in color. Signed proofs. (2) 


HENRI MATISSE 


CONTEMPORARY FRENCH 


ETUDE DE FEMME NUE 

Original painter lithograph. Very fine proof on Japan paper. 
Signed with the initials of the artist. 

One of 25 impressions. 


REPOS 

Original painter lithograph. Brilliant impression on papier de 
Chine. Signed and numbered in ink by the artist. 

One of 50 impressions. 


145 


146 


147 


148 


149 


150 


151 


ETUDE DE NU 

Original painter lithograph. Fine impression on Japan paper. 
Signed and numbered in pencil by the artist. 

One of 50 impressions. 


FEMME NUE 

Original painter xylograph. Fine impression printed on Dutch 
paper. Signed in ink by the artist. 

One of 50 impressions. 


MAURIN 


LA TOILETTE 
Aquatint printed in colors. Signed proof on Japan paper. 


FOSTER MAYNE 


LADY HAMILTON (AS ARIADNE) 
Mezzotint printed in colors after George Romney. Signed proof. 
Gilt frame. 


C. MERYON 
1821-1868 


LE PETIT PONT 

Original painter etching. L. Delteil, No. 24. Fifth state. Very 
fine impression on mounted India paper. In a half inch lacquer 
frame. 


LA POMPE NOTRE DAME 
Original painter etching. L. Delteil, No. 31. Seventh state. 
Superb impression printed on papier de Chine. 


(a) PASSERELLE DU PONT AU CHANGE APRESS 
L?INCENDIE DE 1621 

(b) TOURELLE RUE DE L’ECOLE DE MEDECINE, 22 
(2 copies) 

Original etchings. Published states. (38) 


28 


J. F. MILLET 


152 SHEPHERDESS KNITTING 


153 


154 


Original etching. Only state. Fine impression printed in brown. 
Purchased from Frederick Keppel & Co. 


MAUNIER MILLIENE 


PREMIERES POINTES 


Original etching printed in colors. Signed and numbered proof. 
Edition limited. 


ALBERT MOORE 


BATTLEDORE 

Original charcoal drawing heightened with white. On brown 
paper. ‘The nude model seen in graceful pose recovering the 
fallen shuttle. Framed. Size, 6144 x 9 inches 
Purchased from Scott & Fowles. 


29 


- / shee : 


SALE FRIDAY EVENING, APRIL FOURTH, AT 8:15 
SECOND SESSION 
NuMBERS 155-315 
JOSEPH PENNELL 
CONTEMPORARY AMERICAN 
155 THE SPIRE AT ROUEN 


156 


157 


158 


159 


160 


161 


162 


163 


164 


165 


Original etching. Signed proof. 


ROME 
Original dry-point. Signed proof. 


BUILDING THE VICTOR EMMANUEL MONUMENT, 
ROME 
Original dry-point. Signed proof. 


PORCH OF ST. MACLON, ROUEN 


Original etching. Signed proof. 


ROUEN 


Original etching. Signed proof on Japan paper. 


FALLS STATION, NIAGARA 
Original etching. Signed proof. 


WASHINGTON, FROM THE CAPITOL TO THE STATION 
Original dry-point. Signed proof. 


LADO BRIDGE, ST. LOUIS 
Original etching. Signed proof. 


UNDER THE BRIDGE, ST. LOUIS 


Original etching. Signed proof. 
THE CLOCK, GRAND CENTRAL, N. Y. 
Original dry-point. Signed proof. 
WAITING ROOM, GRAND CENTRAL, N. Y. 
Original dry-point. Signed proof. 

dl 


166 WAITING ROOM, PENN TERMINAL 


167 


168 


169 


170 


171 


ree 


173 


174 


175 


176 


177 


178 


Original dry-point. Signed proof. 


TICKET OFFICE, P. R. R., N. Y.. 
Original dry-point. Signed proof. 


LAW OF THE LOCOS 
Original dry-point. Rich impression. Signed proof. 


THE INCLINE, PITTSBURGH 
Original etching. Signed proof. 


BRIDGE LAND 
Original dry-point. Signed proof. 


PORTICO, PITTSBURGH © 
Original dry-point. Signed proof. 


POWER AND STEAM 
Original dry-point. Signed proof. 


FOURTH STREET MEETING 
Original dry-point. Signed proof on Japan paper. 


WEEHAWKEN ; MAUCH CHUNK 
Original dry-points. Signed proofs. (2) 


THE ALLEY — WIDENER’S AND WANAMAKERS;; 
BUILDING THE CHURCH 
Original dry-points. Signed proofs. (2) 


PHILADELPHIA, FROM LEAGUE ISLAND; THE DRAW 
BRIDGE, PITTSBURGH 
Original etchings and dry-points. Signed proofs. (2) 


RUSH FOUNTAIN; THE CLIFF; LEMON HILL 
Original etchings. Signed proofs. (3) 


STANDARD OIL, BAYONNE; ON THE RIVER 
Original etchings. One signed. (2) 


32 


Lao 


180 


181 


182 


183 


184 


185 


186 


MANZANA PISSARRO 


COQS ET POULES 

Original painter xylography. Printed in colors and metal tints. 
Signed in ink by the artist. 

One of 100 impressions. 


PAONS DANS LES JARDINS 

Original painter xylography. Printed in colors and metal tints. 
Signed in ink by the artist. 

One of 100 impressions. 


J. V. RAFFAELLI 


CONTEMPORARY FRENCH 


A FARM IN NORMANDY 
Original etching printed in colors. Signed proof. 
One of 30 impressions. 


A VOTRE SANTE! LA MERE BONTEMPS! 
Original etching printed in colors. Signed and numbered proof 


on Japan paper. 


LA NEIGE SOLEIL COUCHANT 
Original etching printed in colors. Signed and numbered proof 
on Japan paper. Gilt frame. 


LA PLACE DU VILLAGE 
Etching printed in colors. Signed and numbered proof on Japan 
paper. Gilt frame. 


REMBRANDT VAN RIJN 


putcH, 1606-1669 


THE DEATH OF THE VIRGIN 
Original etching. Hind, No. 161. Fourth state. Guilt frame. 


PEASANT FAMILY ON THE TRAMP 
Original etching. Hind, No. 259. Later impression. 


33 


188 


189 


190 


eal 


192 


193 


194 


195 


196 


REMBRANDT IN CAP AND SCARF 
Etching. Hind, No. 108. Impression from the reworked plate. 


NEGRESS LYING DOWN 
Original etching. Hind, No. 299. Fine impression. Third state. 


JAN SIX 
Etched copy. Impression on old paper. Bears the stamp of the 
A. C. de Poggi Collection, which was sold in 1873. 


LANDSCAPE WITH THREE GABLED COTTAGES 
Original etching. Hind, No. 246. Third state. Later 


impression. 


LOBEL RICHE 


CONTEMPORARY FRENCH 


COURONNE D’OR, CONSTANTINOPLE 


Original aquatint printed in colors. Signed and numbered proof. 


DANSEUSE AU MIRAGE 
Original aquatint in colors. Signed and numbered proof. 
Limited. 


NAPIERKOWSKA 
Original aquatint printed in colors. Signed and numbered proof. 
Limited. 


PARC DE VERSAILLES 
Original aquatint printed in colors. Signed and numbered proof. 
Limited. 


PARC DE VERSAILLES 
Original aquatint printed in colors. Signed and numbered proof. 
Limited. 


MOSQUE DE KARAOUINE A FEZ 


Aquatint printed in color. Signed and numbered proof. Limited. 


34 


LOT. 


198 


boo 


200 


201 


202 


203 


204 


205 


206 


207 


L’ENFANT 
Original aquatint printed in colors. Signed and numbered proof. 
Limited. 


COUR DE FERME 
Original aquatint printed in colors. Signed and numbered proof. 
Limited. 


ALSACIENNES 
Original dry-point printed in colors. Signed proof. 


DANSEUSES DEVANT LA MER; DANSEUSES 
GRECQUES 

Original dry-point and aquatint printed in colors. Signed and 
numbered proofs. Limited. (2) 


LA FRILEUSE; LA FILLE AU CHIEN 
Original dry-points printed in colors. Signed and numbered 


proofs. Limited. (2) 


REVEUSE; FEMME A LA MANTILLE 
Original dry-points. Signed and numbered proofs. (2) 


FEMME AU CHAPEAU; FEMME ESSAYANT EN 
CORSET 
Original dry-points. Signed and numbered proofs. (2) 


LA FEMME AU CHIEN; LA FEMME AU CHAT 
Original dry-points printed in colors. Signed and numbered 


proofs. Limited. (2) 


DANS LA CLAIRIERE; FEMME EN BLANC AU CHIEN 
Original aquatints printed in colors. Signed and numbered 


proofs. Limited. (2) 


UNE FAMILLE BERBERI A FEZ; LE FUMEUR KIF 
Original aquatints printed in colors. Signed remarque proofs. 


Limited. (2) 


LE PSYCHE; L’ATTENTE 
Original aquatints printed in colors. Signed and numbered 
proofs. Limited. (2) 


35 


209 


Zu 


213 


FEMME A LA MANTILLE; LE FAUNE SEDUIT 
Original dry-points printed in colors. Signed and numbered 
proofs. Limited. (2) 


LA FEMME AU CHAT; DANSEUSE SUEDOIS 
Original dry-points printed in colors. Signed proofs. (2) 


MANUEL ROBBE 


LA BIBLIOTHECAIRE; FEMME VUE DE DOS 
Original etchings printed in colors. Signed and numbered 
proofs.~ (2) 


HUBERT ROBERT (?) 


PAYSAGE ITALIEN 


Original sanguine drawing signed in ink “Robert”. 


BOARDMAN ROBINSON 


AMERICAN ARTIST 


WALT WHITMAN 

Original painter lithograph. Brilhant impression on Japan 
paper. Signed in pencil by the artist. 

One of 10 impressions. 


G. ROCHEGROSSE 


LA FEMME AU LYS 
And three other lithographs by Helleu, Van Risselbergue, and 
Dumont. (4) 

AUGUSTE RODIN 


FRENCH, 1840-1917 


LA FEMME A LA ROSE 

Original water color and pencil drawing. _ Signed. Gault frame. 
Size, 1914 x 1214 mches 

Probably no finer drawing by Rodin exists in this country to-day. 

Purchased from M. Knoedler & Co. 


[SEE ILLUSTRATION | 


36 


eet 2 ie 


te 6) + . ois 


“TA FEMME A LA ROSE” 
BY AUGUSTE RODIN 
PROBABLY NO FINER DRAWING BY RODIN EXISTS IN THIS COUNTRY TO-DAY 


[NuMBER 214] 


215 


216 


217 


218 


221 


bo 
bo 
bo 


T. RODOCANACHI 


PONT ST. REMY; LA SOMME A ABBEVILLE 


Aquatints printed in colors. Signed proofs. (2) 


B. ROGER 


NAPOLEON BONAPARTE 
Stipple, printed in colors, after J. Guérin. Gilt frame. 


ERNEST D. ROTH 


THE WHEELWRIGHT SHOP 
Original etching. Signed proof on Japan paper. 


FELICIEN ROPS 
BELGIAN, 1883-1898 


LA LEGENDE D’YPERDAMME 
Autotype par E. Crété after the artist’s drawing. O. Mascha, 
No. 304. Fine impression printed in colors. 


LA FEMME AU TRAPEZE 

Original painter etching. O. Mascha, No. 485. FE. Ramiro, 
No. 53. Fine impression before the inscription. Signed by the 
artist in red pencil. 


LPARIETTE 
Original painter etching. O. Mascha, No. 502. E. Ramiro, 
No. 63. Very fine impression, with the inscription. 


LA CHASSE AU LIEVRE 

Original painter etching. O. Mascha, No. 521. E. Ramiro, 
No. 71. Fine impression after the reduction of the copper. 
Signed by the artist in red pencil. 


LA PETITE SORCIERE 
Original painter etching finished in aquatint. O. Mascha, No. 
551. E. Ramiro, No. 79. Very fine impression on Japan paper. 


38 


bo 
bo 
op) 


bo 
bo 
=} 


228 


229 


231 


LPOLIVERADE 
Original painter etching finished with the needle. O. Mascha, 
No. 592. KE. Ramiro, No. 55. Impression with the inscription. 


LE MASSAGE 
Heliogravure retouched with the needle by the artist. O. Mascha, 
No. 621. KE. Ramiro, No. 351. Fine impression on Japan paper. 


DANS LA PUSTA. Iid plate. 

Original painter etching. O. Mascha, No. 633. E. Ramiro, 
No. 525. First state. Brilhant proof on Japan paper. Signed 
in pencil by the artist. 


GRISERIE FLAMANDE 

Original painter soft ground etching finished with the needle. 
O. Mascha, No. 701. KE. Ramiro, No. 175. Fine impression, 
with the inscription. 


SUFFISANCE 

Heliogravure after the artist’s original drawing. O. Mascha, 
No. 747. Early impression printed in colors on Japan paper. 
One of 100 impressions. 


LA CHRYSALIDE 
Original painter etching. O. Mascha, No. 606. E. Ramiro, 
No. 330. Second state. Brilliant impression. Signed by the 
artist in red pencil. 


TETE D?PHOMME AU LARGE CHAPEAU 
Original painter soft ground etching. O. Mascha, No. 825. 
Early impression printed on Japan paper. 


.LES SEPT TETES 


Original painter soft ground etching. O. Mascha, No. 827. 


Fine impression on Japan paper. 


TETE DE FEMME 
Original painter etching. O. Mascha, No. 831. Very fine im- 
pression on Japan paper. 


oo 


233 


234 


235 


236 


237 


238 


LE SPHINX 

Heliogravure after the artist’s original drawing. O. Mascha, 
No. 845. E. Ramiro, No. 149. Fine impression, with the 
artist’s signature engraved in red. 


POESIES DE STEPHANE MALLARME. LA GRANDE 
LYRE 

Heliogravure retouched by the artist with the needle. O. Mascha, 
No. 894. E. Ramiro, No. 636. First state, with all the 


remarques. Brilliant impression on Japan paper. 


FLIRT 

Original painter soft ground etching finished with the needle. 
O. Mascha, No. 980. E. Ramiro, No. 660. Fine impression, 
with the inscription. 


LA MERE AUX SATYRONS 
Etching printed in colors by A. Bertrand after an original water 
color by Rops. O. Mascha, No. 993. 


One of 150 impressions. 


FEMME NUE COUCHEE 
Original painter soft ground etching finished with the needle. 
Very early impression with the remarque. Printed on Japan 


paper. 
I. SATTLER 


PAN 
Original painter lithograph. Printed in colors. On Japan 


paper, with untrimmed margin (deckle edges). Signed by the 
artist. 


A. W. SEABY 


SWANS; ROBINS 


Original woodcuts printed in colors. Signed and numbered 
proofs. (2) 


WILD DUCKS; WINTER LANDSCAPE 
Original woodcuts printed in colors. Signed and numbered 


proofs. (2) 
40 


241 


243 


244 


245 


246 


247 


GEORGE P. SENSENY 


CONTEMPORARY 


BRIDGE OF SIGHS, VENICE 
Aquatint printed in colors. Signed and numbered proof on 
Japan paper. Gilt frame. 


MILL RIVER 


Aquatint printed in colors. Signed and numbered proof on 


Japan paper. 


THE BIG CLOUD 
Aquatint printed in colors. Signed and numbered proof on 
Japan paper. 


W. A. SHERWOOD 


CONTEMPORARY 


THE NEW YORK STOCK EXCHANGE 
Original aquatint printed in colors. Signed proof on Japan 
paper. Edition limited. 


THE SUB-TREASURY, NEW YORK 
Original aquatint printed in colors. Signed proof on Japan 
paper. Edition limited. 


L’YSER 
Aquatint printed in colors. Signed proof on Japan paper. 


LE QUAI VERT A BRUGES; L’ANCIENNE RUE DU 


STEEN—ANVERS 
Aquatints printed in colors. Signed proofs printed on Japan 
paper. Editions limited. (2) 


CHATEAU DE FLANDRES; PORTE DES MARECHAUX 


A BRUGES 
Original aquatints printed in colors. Signed proofs on Japan 
paper. Editions limited. (2) 


41 


248 


249 


251 


252 


253 


EVERETT SHINN 
BALLET DANCER RESTING 


Original pastel drawing. Signed. Gilt team | 
Size, 8 x 10 mches 


JANET SMALLEY 


(a) STUDY OF A NUDE 

Oil painting on panel. Framed. Size, 914 x 914 inches 
WAYMAN ADAMS 

(b) CHILD AND DOLL 


Oil painting on panel. Signed. Framed. 
(2) Size, 4144 x 314 inches 


J. ANDRE SMITH 


A VENETIAN BYWAY 
Original dry-point. Signed proof. 


DONKEY COURT 
Original etching. Signed proof on Japan paper. 


ALEXANDRE T. STEINLEN 


CONTEMPORARY FRENCH 


VPORAGE (COURDIMANCHE) 

Original painter etching finished with dry poimt. Brilliant 
proof. Signed by the artist. 

One of 75 impressions. 


LES GRANDS CHANTEURS DES RUES 

Original painter etching finished with the needle. KE. de Crauzat, 
No. 46. Second state after the copperplate has been reduced. 
Brilliant impression of the trial impression in bistred black. 
Signed in pencil by the artist. 

One of 6 impressions. 


254 


256 


257 


258 


259 


260 


LA SORTIE DE L’ATELIER 
Original painter lithograph. Fine impression with remarque on 


Japan paper. 


RETOUR DE PERMISSION 
Painter lithograph. Printed on tinted background. 


One of 400 impressions. 


TEMPS D’ORAGE 

Original painter etching finished with the needle. Second state. 
Very scarce proof signed in pencil by the artist on the right of 
the lower margin. With “2e état” in the lower left corner in 


the artist’s handwriting. 


LE RETOUR AU LOGIS 
Original painter lithograph. Brilliant impression. Printed on 


Japan paper. 


RACAHOUT DES ARABES 

Le meilleur aliment des enfants (1905) 

Original painter lithograph. E. de Crauzat, No. 512. First 
state, proof before all letters, printed in colors. Signed in pen- 
cil by the artist in the lower right corner. 

One of 12 impressions. 


LA SORTIE DE LA MINE, 1907 

Original painter lithograph. E. de Crauzat, No. 269. First 
state before all letters. Printed in bistre on Japan paper. 
Signed in pencil by the artist in the lower left corner. VeERy 
Rake. 

One of 20 impressions. 


L’APOTRE (1908) 

Original painter lithograph. E. de Crauzat, No. 289. Very fine 
impression on papier de Chine. Signed in pencil by the artist 
on the right of the lower margin. 

One of 25 impressions. 


43 


262 


265 


266 


267 


L°ETE, CHAT SUR UNE BALUSTRADE (1909) 

Original painter lithograph. E. de Crauzat, No. 292. Brilliant 
impression. Printed in colors. Signed in pencil by the artist 
on the railing (balustrade). 

One of 250 impressions. 

Companion to No. 262. 


L°’HIVER, CHAT SUR UN COUSIN (1909) 

Original painter lithograph. E. de Crauzat, No. 293. Brilliant 
impression. Printed in colors. Signed in pencil by the artist 
in the lower right corner. Marked in pencil in the artist’s hand- 
writing “Etat Complet” in the lower left corner. 

One of 250 impressions. 

Companion to No. 261. 


LES DEUX CHATS NOIRS SUR UN MEUBLE (1914) 
Original painter etching. Very fine impression. Signed in pen- 
cil by the artist in the lower margin. 3 

One of 30 impressions. 


LA VILLE LOINTAINE (1914) 

Original painter etching. Brilliant impression. Signed in pen- 
cil by the artist on the left of the lower margin. 

One of 30 impressions. 


LE 2 AOUT 1914, LA MOBILISATION (1915) 

Original painter soft ground etching. Fine impression. Signed 
in pencil by the artist on the left of the lower margin. 

One of 300 impressions. 


“LA REPUBLIQUE NOUS APPELLE . . .” (1915) 
Painter lithograph. Brilliant impression with a remarque en- 
graved on the stone by the artist. 

One of 400 impressions. 


CHIENS ERRANTS 1915 
Painter lithograph. Printed on tinted background. 
One of 400 impressions. 


SERBIE. FEMME ET ENFANTS EN FUITE (1915) 
Painter lithograph, printed on tinted background. 
One of 400 impressions. 


44, 


269 


270 


271 


272 


273 


274 


275 


276 


277 


LES REFUGIES DE LA MEUSE (1915) 
Painter lithograph. Printed on tinted background. 
One of 400 impressions. 


POUR LES FAMILLES DISPERSEES (1915) 

Painter lithograph. Proof before the text. Printed on tinted 
background. 

One of 400 impressions. 


LE POILU A LA ROSE, [LES DEUX POILUS] (1915) 
Painter lithograph. Printed on tinted background. 
One of 400 impressions. 


SERBIE. Sorur ANNE DE FrRANcE ov pD’ITALIE NE Vols-TU 
Rien Venir (1916) 

Painter lithograph. Printed on tinted background. 

One of 400 impressions. 


LE POILU A PETAIN (1916) 
Painter lithograph. Printed on tinted background. 
One of 400 impressions. 


VERDUNOIS A LA GARE DE L’EST (1916) 
Painter lithograph. Printed on tinted background. 
One of 400 impressions. 


LE DEVOIR SOCIAL (1918) 
Painter lithograph printed in two colors on tinted background. 


HERBERT STODART 


NAPOLEON BONAPARTE 
Bust size, profile to the left. Mezzotint printed in colors. Signed 


proof. Gilt frame. 
C. E. SWAN 
CONTEMPORARY ENGLISH 
WOUNDED TIGER 


Original water color. Signed. Guilt frame. 
Size, 12 x 1914 inches 


45 


279 


283 


284 


285 


286 


bo 
©) 
~ 


TIGER RESTING 
Original water color. Signed. Gilt frame. 
Saze; 12 x 1914 inches 


FRITZ THAULOW 
DANISH, 1847-1906 


PONT DE VERONE 
Aquatint printed in colors. Signed proof. Edition limited. 


WINTER IN HOLLAND | 
Aquatint printed in colors. Signed proof. Edition limited. 


SUNDAY EVENING—GOING TO CHURCH 
Aquatint printed in colors. Signed proof. Edition limited. 


A CANAL SCENE IN HOLLAND | 
Aquatint printed in colors. Signed proof. Edition limited. 


A DUTCH WINDMILL 
Aquatint printed in colors, after Alexandre Thaulow. Proof. 
Signed by the artist, with the engraver’s signature in the plate. 


MAREE BASSE—LOW TIDE 
Aquatint printed in colors. Signed proof. Edition limited. 


KUGENE. TILY 


LADY HAMILTON (at the spinning wheel ) 
Stipple, printed in colors after George Romney. Signed proof. 
Gilt frame. 


PORTRAIT OF A LADY (as a Bacchante) 
Stipple, printed in colors after Sir Henry Raeburn. Signed 
proof, on vellum. Gilt frame. 


VAUGHAN TROWBRIDGE 


PARIS 
Original etching printed in colors. Signed proof on Japan 
paper. One of 30 impressions. 


46 


DUTCH WASHERWOMEN 
BY VINCENT VAN GOGH 


[NUMBER 290 | 


288 


289 


290 


291 


292 


293 


VENICE 
Original aquatint printed in colors. Signed proof on Japan 
paper. Edition limited. 


AFTER VAN DYCK AND LELY 


(a) MARCHIONESS OF WHARTON, BY VALENTINE 
GREEN 

Mezzotint after Sir Peter Lely. 

(6) SIR THOMAS WHARTON, BY RICHARD EARLOM 
Mezzotint after Van Dyck. (2) 


VINCENT VAN GOGH 


CONTEMPORARY DUTCH 


DUTCH WASHERWOMEN 
Original crayon and ink drawing. Signed “Vincent”. Framed. 
Size, 18 x 10 inches © 


Purchased from Scott § Fowles. 


[SEE ILLUSTRATION, PAGE 47] 


GEORGE C. WALE =) 


WHALER CALM; CUTTING IN 
Original dry-points. Signed proofs. Editions limited. (2) 


CONSTITUTION AND GUERRIERE; THE WEST INDIE 
TRADE 


Original dry-points. Signed proofs. Editions limited. (2) 


JAMES A. McNEILL WHISTLER 
a ee 
AMERICAN, 1834-1903 


OLD BATTERSEA BRIDGE 

Original charcoal drawing. On gray paper. Signed with the 

butterfly. A splendid example of one of Whistler’s favorite 

subjects. Guilt frame. Size, 11 x 14 inches 
[SEE ILLUSTRATION | 


48 


AAT LSIHM 


TITIAN OW 


[e6z aaawan | 


‘V SANVE AX O 
HOCIUeE VASUALL 


NIMVUd TVOOUVHO TIVNIOIXZO 
LV& AIO 


296 


299 


300 


301 


302 


STUDIES FOR “TILLIE” 
Charcoal sketches. Five studies on the same sheet, of the nude 
model, heightened with slight touches of pastel. On gray paper. 
A charming and most characteristic group. Gilt frame. 

Size, 11384 x 734 inches 


[SEE ILLUSTRATION | 


BILLINGSGATE 
Original etching. Mansfield, No. 46. Published state. 


BIBI VALENTIN 
Original etching. Mansfield, No. 50. Second state. Guilt frame. 


VENUS ; 
Original etching. Mansfield, No. 59. First state. Fine im- 
pression on old paper. 


OLD HUNGERFORD BRIDGE 
Original etching. Mansfield, No. 76. Third state. Fine im: 
pression. One of the “Sixteen Etchings”’. 


THE WINGED HAT 
Lithograph. Way, No. 25. Framed. 


LES BONNES DU LUXEMBOURG 
Lithograph. Way, No. 48. Framed. 


SYDNEY E. WILSON 


LADY SMITH AND CHILDREN 
Mezzotint printed in colors, after Reynolds. Signed proof. 
Gilt frame. 


MISS CUMBERLAND 
Stipple, printed in colors after George Romney. Signed proof. 
Gilt frame. 


50 


STUDIES FOR “TILLIE”’ 
CHARCOAL SKETCHES BY JAMES A. MC NEILL WHISTLER 


[NUMBER 294 | 


303 


304 


305 


306 


307 


308 


309 


ANDERS. ZORN 
SWEDIsH, 1860-1920 


GIRL WITH CIGARETTE—II | 
Etching. Asplund, No. 62. First state. Signed artist’s proof. 
Inscribed: “‘“T'o Miss Hallowell, sowvenir from Zorn.” Brilliant 


impression. 


| SEE ILLUSTRATION | 


EN OMNIBUS 
Etching. Asplund, No. 72. Third state. Signed artist’s proof. 


Brilliant impression on Dutch paper. 


THE TOAST 

Etching. Asplund, No. 80. Third state. Signed artist’s proof. 
Fine impression on old paper. Plate destroyed after about 75 
proofs were taken. 


[SEE ILLUSTRATION, PAGE 54 | 


LA GUITARE OU SOUVENIR 
Etching. Asplund, No. 95. Only state. Signed artist’s proof. 
Brilliant impression on brown paper. Gilt frame. VERy Rare. 


Purchased from M. Knoedler & Co. 


NANETTE 


Etching. Asplund, No. 174. Second state. Signed artist’s 
proof. Brilliant impression. One of 20 impressions. Guilt frame. 


Rare. 
Purchased from M. Knoedler & Co. 


THE TWO MODELS 

Etching. Asplund, No. 175. Second state. Signed artist’s 
proof. On Dutch paper. Guilt frame. 

Purchased from M. Knoedler & Co. 


ANNA DOING HER HAIR 

Etching. Asplund, No. 200. Third state. Signed artist’s 
proof. Fine impression on Dutch paper. Gilt frame. 
Purchased from M. Knoedler & Co. 


52 


GIRL WITH CIGARETTE—I[I 
BY ANDERS ZORN 


[NUMBER 803 ] 


THE TOAST 


ZORN 


ANDERS 


BY 


[NuMBER 305 | 


310 


oll 


312 


313 


314 


B15 


SANDHAMN 


Etching. Asplund, No. 202. Only state. Signed proof. Gilt 


frame. 


THE PRECIPICE 
Etching. Asplund, No. 228. Second state. 
proof. Impression on Dutch paper. 


ANOTHER MODEL 

Etching. Asplund, No. 235. Second state. 
proof. Fine impression. Gilt frame. 
Purchased from M. Knoedler & Co. 


THE FORD 
Etching. Asplund, No. 249. Second state. 


Signed 


Signed 


Signed 


proof. Brilliant impression in brown. Gilt frame. 


BERSECK 
Etching. Asplund, No. 261. Third state. 
proof. Fine impression. Guilt frame. 


Purchased from M. Knoedler & Co. 


DAL RIVER 
Etching. Asplund, No. 284. Only state. 
proof. Fine impression on Dutch paper. 


Or 
ou 


Signed 


Signed 


artist’s 


artist’s 


artist’s 


artist’s 


artist’s 


-_- 


; : on 


This catalogue designed by The Ai 
Composition and Press- 


